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Delays can either thicken your drums or bring out entirely new note features depending on how they’re used, while reverbs and distortions can add vivid new colors to percussion parts by making them less pristine and obvious. These are effects we are used to using in order to layer over guitar parts, but they can do incredible things to brighten up stale percussion parts as well!

Good music is whatever you want it to be! But because of streaming services like Spotify and the affordability of distribution for independent artists, more people are able to make their voices heard rather than a small number of people the record labels deem worthy of influencing our youths’ ears.

Imagine a world where every time a phone rings, your music plays. Creating and selling ringtones on iTunes can be a fun as well as a profitable way to repurpose your most popular or favorite songs. Even though you won’t earn royalties each time the phone rings, the good news is that you can earn royalties each time your ringtone is downloaded.

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(Don’t worry guys) I listened to the radio instead, so Puppy could have his playlist) But now, when I know I’ll be using Spotify, it’s YouTube playlists all the way.  

Course: The Art of Hip-Hop Production

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You need to get comfortable in your vocal range, master techniques that you struggle with, and push the limits if you want to be exceptional (and yes, you want to be exceptional…“Exceptional” is the goal, if you were ever confused about that).

This is an exciting music video that takes full advantage of high-intensity performance footage and a gripping narrative. The members of Bullet for My Valentine are soaked by rain throughout the performance, which is both perfectly fitting for the song title as well as an ode to the twist in the storyline towards the end of the video. After discovering her partner cheating, the girl violently pours a can of gasoline all over the man, the other girl, and herself, before dropping the lighter to reveal that it’s in fact water — a cruel joke in retribution.

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If all this talk on tensions is a little overwhelming, relax. I’ll dig deeper into them in the next article and show how they can be used to create some beautiful melodic content. For now, perhaps the most important lesson is that there is something to be learned musically from every artist, even perpetually teenaged Canadians.

So today, on World Television Day ’17, we’d like to commemorate 17 of the greatest moments in American-music-television history. Follow us chronologically as we explore the last 50-plus years and rehash some of the best, most awkward, and memorable times music stole the small screen and our hearts in the process.

What’s the one thing (or three or four!) that you do that nobody else does? Describe your band, give a brief history about your work, and highlight your accomplishments. If you don’t have any successes yet, then your goal should be to get your foot in the door of a small local venue, or play in your friends’ living rooms and backyards and set up cameras to capture the show, or do whatever you can to get out there on the circuit. Then build momentum from there.

I mostly approached this as “soloing” with the a cappella, using the instrumental as my “rhythm section.” But I did some improvising with the instrumental too, by looping, and by jumping around between cue points. I don’t consider this to be a polished work of art or anything, but I discovered some pretty cool sounds, even at my basic skill level. So I’m excited to see where this leads.

Watch that video. Now watch it again. It’s like “Flight of the Bumblebee” being read as it falls through a paper shredder. Here’s Wikipedia’s explanation of that piece: