What to do with old musical instruments
A common idea using this scale position is to bend the major 6th up to the flat seven. This gives further flexibility and is a favorite of many players in the fusion, soul, and blues genres. In this lick, we end on the 6th. Ending on the 6th can be especially useful in blues, because the 6th also functions as the major 3rd of the IV chord.
Instead of hyper-focusing on your total stream count, pay attention to actionable metrics, which help you make data-backed decisions that actually have an impact on your music career growth. Specifically, this can include things like how engaged your followers are, which demographics are most engaged, and which tracks are being shared and saved to playlists.
“FEFE”: Welp, almost none of the section lengths here are standard. The bridge is really like some kind of early outro that incorporates the refrain, and then the outro-outro also mixes in the refrain, just in a different way. Who even knows anymore?
No engineer’s library would be complete without some technical information, and Ballou’s Handbook, now in its fifth edition, is a serious contender for being your go-to in this field. A university-standard textbook, it’s not for the layperson.
The short answer is: I don’t. I grade for effort, in a very coarse-grained way. If the student completes the project, following all the guidelines and requirements, they get full credit, regardless of the quality of the resulting music. (My assignment guidelines are always technical in nature; I don’t put any restrictions on musical style.) If students don’t follow the guidelines and requirements, or hand the assignment in late, or obviously half-ass it, I deduct points accordingly. I don’t give any consideration to the music itself when grading because then I’d just be grading on how closely the student’s musical taste is to mine, which would be arbitrary and unfair.
“Sunflower”: Sneaking into the last week of Top 5s for 2018, we have a consummate “B-side” to the other Post Malone songs on this list, with a short and sweet form — except for the fact that each singer’s verses use different melodies and lengths. And since we’re talking about lengths, the loop here is eight bars long, not your usual four. This makes it easy to chop in half for the shorter second verse, as well as the shortened outro.
Sammy Hakim is an up-and-coming young songwriter based in New York City. In May, 2018 she graduated from Berklee College of Music with a Major in songwriting and a focus in music business. These days she spends most of her time in songwriting sessions with artists all over the country.
With that said, here are seven of my best tips that will help set you up for success every time you sit down to create. And if you’d like additional personalized help, all of our Soundfly Mentors are equipped with time management and coaching training to help you take your project to the next level quicker and make it overall better sounding. Learn more about joining a four-week mentorship session here, and tell us about your personal musical goals here.
Grants for arts research
Create clearly labelled folders for the samples that you use or think you might use soon. You can categorize your samples in broad terms, for example, as acoustic drums, drum machine, synth, vocals, or by the name of the sample pack they came from. Then, from there, you can categorize them by type, such as one shots, loops, ambience, pads. Organizing your folders so you can find the right sound a lot quicker is optimal for fast-paced writing sessions, bigger and complicated projects, or time-sensitive work with approaching deadlines.
This song is a great example of how music theory and psychology can help the songwriting process. In essence, you want to try to structure how listeners bring their sense of joy through the song, with the ultimate high point being in the chorus where lyrics and melodies are all repeated for better recall. Now you’ve got a tonal hierarchy to work with to make that section, and the others leading up to it, even stronger.
We’ll also be joined by our friends at Bandzoogle, TuneCore, and ReverbNation, and more, who will be posting content about home recording all week next week — all linked together in the same conversation with the hashtag #homerecordingweek.
During the recording process, you’ll soon discover that not all takes are created equal. And it’s common for vocal and instrumental tracks to be spliced together later, during the editing process. This means that the more detailed notes you can jot down about how each take sounds, the better. You’ll rely on these notes later to edit and compile tracks.
Every step of the mixing process is covered, from setting up your room, to use of plugins and recommendation for free plugin options, and finishing touches before delivery. Senior’s advice is well-written, specific enough to be incredibly useful, and general enough to apply to any DAW or any genre an engineer finds themselves working in.